| Result |
Title |
| 49 |
Rome under the Popes: Church and Empire
|
| 50 |
Venice and Antwerp, Part One: The Cities Compared
|
| 51 |
Venice and Antwerp, Part Two: Forms of Religion
|
| 52 |
Venice and Antwerp, Part Two: Forms of Religion
|
| 53 |
Seville: The Edge of Empire
|
| 54 |
El Escorial: Palace, Monastery and Mausoleum
|
| 55 |
Ottoman Supremacy: The Suleimaniye, Istanbul
|
| 56 |
Fontainebleau: The Changing Image of Kingship
|
| 57 |
Hardwick Hall: Power and Architecture
|
| 58 |
Classical Sculpture and the Enlightenment
|
| 59 |
Classical Sculpture and the Enlightenment
|
| 60 |
Classical Sculpture and the Enlightenment
|
| 61 |
The Moscow Kremlin, Part One: The Walls, Towers and Cathedrals
|
| 62 |
The Moscow Kremlin, Part One: The Walls, Towers and Cathedrals
|
| 63 |
The Moscow Kremlin, Part Two: The Tower-chambers and Palaces
|
| 64 |
The Moscow Kremlin, Part Three: The Armoury: Countless Treasures of the Russian Tsars
|
| 65 |
What is a Good Drawing?
|
| 66 |
What is a Good Drawing?
|
| 67 |
Dover Castle: The Key to England
|
| 68 |
Dover Castle: The Key to England
|
| 69 |
Your Church: A Threshold to History
|
| 70 |
Your Church: A Threshold to History
|
| 71 |
Your Church: A Threshold to History
|
| 72 |
Europa Nostra
|
| 73 |
Europa Nostra
|
| 74 |
Janus
|
| 75 |
Janus
|
| 76 |
In Memoriam
|
| 77 |
In Memoriam
|
| 78 |
In Memoriam
|